Showing posts with label the whigs. Show all posts
Showing posts with label the whigs. Show all posts

Saturday, October 17, 2009

NEW: The Whigs Offer Free Download of New Song "In the Dark"



The Whigs are offering a free download of the title track from their upcoming album, In the Dark. "In the Dark" is a markedly different sound for the Georgia-trio who's last album, Mission Control, was mostly a straight up rock affair. When I asked frontman Parker Gispert about the band's influences after a show last year, he said that they were mainly influenced by bands from the '70s and '90s. The latter is certainly evident here especially in the choruses and the bridge/outro which calls to mind Doves and Supergrass (there's a more specific influence here that escapes me).

When the band commenced work on Mission Control, they had no bass player. Shortly after releasing the album, bassist Tim Deaux was added as a full-time member, no doubt influencing the writing process of the new album. "In the Dark" showcases a slick bass line throughout the verses with Gispert's guitar work adding texture in the choruses. Download "In the Dark" below via ATO Records.

MP3: The Whigs - "In the Dark"

In the Dark is due out in early 2010 on ATO Records.

The Whigs on Tour:
With The Features (from October 28th - December 15th)
With The Dead Trees (from October 28th - November 21st)
With Mean Creek (October 28th and December 5th - 15th)

October 28th Middle East (Downstairs) - Boston, Massachusetts
October 29th Funk & Waffles - Syracuse, New York
October 30th Mohawk - Buffalo, New York
October 31st Musica - Akron, Ohio
November 2nd Mad Hatter - Cincinnati, Ohio
November 3rd Newport Music Hall - Columbus, Ohio
November 4th Birdy's - Indianapolis, Indiana
November 5th Cannery - Nashville, Tennessee
November 6th Bottom Lounge - Chicago, Illinois
November 7th Triple Rock - Minneapolis, Minnesota
November 10th Bluebird Theater - Denver, Colorado
November 13th Media Club - Vancouver, British Columbia
November 14th Tractor Tavern - Seattle, Washington
November 15th Doug Fir Lounge - Portland, Oregon
November 17th The Independent - San Francisco, California
November 18th Detroit Bar - Costa Mesa, California
November 19th The Troubadour - Los Angeles, California
November 20th Beauty Bar - Las Vegas, Nevada
November 21st Soma (sidestage) - San Diego, California
December 1st Emo's - Austin, Texas
December 2nd The Loft - Dallas, Texas
December 4th The Variety Playhouse - Atlanta, Georgia
December 5th Rhythm & Brews - Chattanooga, Tennessee
December 8th Visulite - Charlotte, North Carolina
December 10th Black Cat - Washington, DC
December 11th The Fillmore @ Irving Plaza - New York, New York
December 12th North Star - Philadelphia, Pennsylvania
December 14th Local 506 - Chapel Hill, North Carolina
December 15th Pour House - Charleston, South Carolina

Wednesday, December 31, 2008

TOP 10 ALBUMS OF 2008

Okay. Unlike your typical bloggers and music critics, I can't really get myself to actually rank my top albums of the year. Instead, I manage to just come up with the list of my top 10. In determining what makes the list, I take a few things into consideration. As a musician, by default I consider some technical aspects of the music, but mainly I try to just listen to the big picture and decide what is great music.

This list is just my top 10 release of 2008 that I was able to check out. I would also like to call to your attention that as a college student, I am not really able to get all the albums that come out in the year. Dude, just download it like everyone else! No, I don't download albums. It's just not something I do. I'm not trying to be self-righteous or anything. I'm just saying. I like to actually own the album and have the entire package.

So, here is the list of my top 10 albums of 2008 in no particular order except for alphabetical.


Drive-By Truckers – Brighter Than Creation’s Dark
I had heard the name Drive-By Truckers numerous times before, but never checked them out. To say I was missing out would be an understatement. This is the first album I purchased from their discography and it definitely brought me into their world. From the acoustic numbers such as "Two Daughters and A Beautiful Wife" to the full-blown rockers like "That Man I Shot," it is a true testament to the band's songwriting that they are able to craft an album over an hour long that is capable of maintaing its strength throughout.


The Hold Steady – Stay Positive
Although not as immediately accessible as its predecessor, Stay Positive is the band's most mature album to date. Craig Finn's characters have grown up from their days in the world of Boys and Girls In America. This is a true rock 'n' roll album, one that I feel will be remembered for years to come. Then again, The Hold Steady are unforgettable in general for their unpretentious rock 'n' roll full of substance, character, and timelessness.


The Kills – Midnight Boom
Alison "VV" Mosshart and Jamie "Hotel" Hince are quite a match and sound as if there's some sexual tension between them. This results in a record fueled by sex and rage (the latter represented best in the mammoth guitars). It has this dark undercurrent to it, and yet, it still manages to give off a positive vibe. It is so well-executed and arranged, but it's done so in such a way that it sounds effortless (e.g. out-of-tune guitars that actually work to the songs' advantage). Midnight Boom definitely took me by surprise as I had never heard a single song by the band. I spun this one in my car quite a bit during the summer.


My Morning Jacket - Evil Urges
What a band. You can hear Prince, Lynyrd Skynyrd, The Beach Boys, Radiohead and more throughout this disc's duration. With this eclectic mix of styles you'd think there would be no direction and flow, but My Morning Jacket are able to hold it altogether. This adventurous spirit is characteristic of the band that aims to defy distinction and keeps the band in the forefront of the music world. It certainly helps when you have a voice as distinctive as one Jim James.


Phantom Planet – Raise the Dead
A few years ago, I started thinking this album would never come out. Phantom Planet's last effort was released in 2003; the excellent Phantom Planet. For a while, the band kept a blog on their website which consisted mainly of videos, sometimes documenting their adventures in the studio. What I heard there certainly whet my appetite for the new material. The band kept playing shows every now and again, but five years had to pass before they could officially release what they had been working on. Towards the tail end of 2007, they announced their signing with Fueled By Ramen. Like most people, I was shocked by this news as this seemed like the most unlikely home for the band (it's the label home to artists such as Paramore, Fall Out Boy, and Cobra Starship). I was just glad that they finally had a way to release their new album.

Raise the Dead shows Phantom Planet was able to find a middle ground between the pop sound of The Guest and the more rough rock 'n' roll sound of Phantom Planet. In my opinion, this is also one of the most overlooked albums of 2008. Did they get stigmatized for being on a label consisting of bands that predominantly sell to tweens and teens? Had too much time passed from their last effort? Hard to say for sure, but it's a shame that more people didn't check this one out. Alex Greenwald, Sam Farrar, Darren Robinson, and Jeff Conrad developed a knack for strong, intricate arrangements that manage to take the form of catchy pop songs (e.g. "Leader" or "Do the Panic"). They're on indefinite hiatus at the moment, but I'm glad this album got to see the light of day.


Q-Tip – The Renaissance
My first exposure to Q-Tip was through the proper channel: A Tribe Called Quest. However, what turned me on to checking out The Renaissance was his collaboration with The Chemical Brothers on "Galvanize" from the Bros.'s LP Push the Button. Is that a bad or lame reason? Maybe, but I can't say I care either way because I am quite glad I checked out The Renaissance.
This album is a fantastic example of that great soul and funk-infused hip-hop. This is real hip-hop. This LP is the work of a true artist. Q-Tip's rhymes are fresh, smart, spirited, and engaging. It is truly one of the greats of the year and an incredibly strong comeback for one of the greats of the genre and music world. The Renaissance didn't have to be a comeback record, but thanks to label troubles, it was. Congrats to Q-Tip on showing the industry what is was missing and what it needed. In my book, definitely an overlooked album of '08.


Stephen Malkmus & The Jicks – Real Emotional Trash
It's interesting to see where Malkmus was musically during Pavement and where he is now solo with the Jicks. Listening to this album, I was blown away. The musician in me was marveling at how one could write the music for songs such as these and still manage to come up with vocal melodies. They are epic and full of some serious riffage. It shows Malkmus's "jam" tendencies, but it never gets boring.


Paul Westerberg - 49:00
Okay, I know you're probably wondering why I included this one. Technically, it is just one long track...44:35 to be exact. However, I really feel this is an album as there are over 20 songs. Some songs are cut-off because this was Westerberg's way of reconstructing what it would be like to flip through your radio dial; catching the end of some songs, catching only the first minute or so of some songs, etc. This "album" is excellent because it is just what a rock 'n' roll and Replacements fan wants to hear: a brand new set of raw, unadultered Paul Westerberg songs. 49:00 made my list for the latter reason as well as for how awesome of a project/concept it is. If you want to get it now, you'll have to search for it online somewhere because it's no longer available. It was available at the extremely generous price tag of $0.49 over at Amazon, but it was removed due to the unapproved medley of classic songs towards the end.


What Laura Says – Thinks and Feels
I already wrote about this LP. I gave it four Ms out of five. It is so diverse and yet still an even effort. What Laura Says is well-versed in the greats of the past but they never wear the influences on their sleeves to the point of exhaustion; their identity as a band is never lost. This album sounds like...a bunch of friends got together and had the most fun they could have.


The Whigs – Mission Control
The Whigs are a band I've been looking for. A rock 'n' roll band that's got attitude - but not in a sickening dosage - and that's straightforward rock music. What is so great about this band is that they are characterized by that simplistic element of rock that allows the music to be accessible but still a joy to listen to. They can sound mammoth but also subtle, as well. They have great control, but still possess that rough-edged spirit that identifies the sound of the rock genre.

Mission Control is certainly a more polished effort compared to the band's last album, Give 'Em All A Big Fat Lip. It's full of songs that you can shout out car windows and songs that soundtrack the journey over the great expanses of open road. Songs such as "Like A Vibration" will get your foot stomping and keep you going until you feel the muscles in your leg start to ache. If "Right Hand On My Heart" isn't one of the best songs of the last five years, let alone this year, then call me crazy. The Whigs are a rock band, and Mission Control lets you know this.

Cheers, 2008.

Tuesday, September 09, 2008

The Whigs @ The Ottobar, 9/8/08


(photo courtesy of The Whigs's MySpace)

Last night, The Whigs blew the Ottobar up with rock music. They charred the inside of the venue and more than likely shook the foundation a little bit, as well. The band put on one of the most enjoyable shows I’ve been to in a while. No, they didn’t ask everyone to clap their hands. No, they didn’t ask anyone to sing along. They simply shared their music with the crowd, performing with every ounce, every molecule, of energy they had. The Whigs have no need to force anyone to listen. I’d like to think that their music is simply enough to engage the crowd – and that certainly seemed to be the case at the show.

The set was a mix of songs culled from their two LPs, 2005’s Give ‘Em All A Big Fat Lip and this year’s Mission Control. They started with the closing track off the new album, “Mission Control,” and managed to make it a strong opener. The set was well-balanced with quick-paced songs such as “Like A Vibration” and “Already Young” and the keys-driven numbers “Sleep Sunshine” and “Nothing Is Easy.” There were moments early on when the guitar was a bit low in the mix and wasn’t very clear, but that problem was fixed as the set rolled on.

By all accounts, no one at the show was really familiar with The Whigs. It is safe to say, however, that after their set, people wouldn’t soon forget their name. The way the three men of The Whigs moved around on stage was a testament to not only how much fun they were having, but also how in tune they were with one another. The music is terrific on record, but live it took on new meaning, new weight, and new life. Parker Gispert’s voice was strong and invigorating; his guitar playing fierce but focused. Tim Deaux effortlessly made his way around the stage, keeping things exciting on bass and nailing his guitar parts (especially the solo on “Half the World Away” which sounded monumental). And then there’s Julian Dorio, drummer extraordinaire. There are drummers who just play the beat, and then there are drummers who feel and live the beat. Julian is the latter. When I saw him attack his kit, head banging, hair flailing, performing the crescendo before the last chorus of “Right Hand On My Heart,” the emotion running through my body was comparable to the anticipatory feeling of excitement you get before seeing a loved one after a period of long separation or the feeling Michael Phelps must have felt when he approached the historic achievement of eight gold medals in one Olympics.

The Whigs aren’t trying to be a rock band. They are a rock band. Their set last night at the Ottobar proved that. Their music is genuine; full of heart, passion, and honesty. The sound has attitude. It’s not necessarily explicit, but it flexes its muscle every now and again. Musically it’s nothing groundbreaking, but it is certainly memorable. Unlike a number of their contemporaries, their music has the potential of lasting beyond the year it was released or their existence as a band. I’m a bit biased when you consider my love for their music, but I would have to type that Mission Control is one of the more overlooked records that has been released this year. Give it a chance. If The Whigs on record doesn’t have you sold, see them live. It’s not something you want to miss.

Here’s hoping they put out a live album at some point…and dare I hope…a DVD.